Ebi Soda return with their third album frank dean and andrew—a chaotic, genre-defying dive into jazz, post-punk, grime, and UK electronic textures. Born from jam sessions in a remote farmhouse, the record pushes their “punk jazz” ethos further while embracing cinematic weirdness and distorted moods.

Tracks like red in tokyo (ft. Jianbo) cut through with grimey, no-wave aggression, while grilly and location explore dubby basslines, Burial-inspired ambience, and reverb-soaked horn sections. The title track leans into bittersweet nostalgia, blending emo-like textures with warped brass and lo-fi tones.

Ending with insectoid creatures are infesting the land, the album transforms from a dissonant noise-scape into melodic release. Throughout, Ebi Soda embrace an off-kilter, mixtape-style aesthetic—gritty, cinematic, and completely unrestrained.