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	<title>bklyn music</title>
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	<description>make jazz not war</description>
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		<title>Carlos Niño &#124; Bubble Bath for Giants</title>
		<link>https://bklyn.de/2026/04/carlos-nino-bubble-bath-for-giants/</link>
					<comments>https://bklyn.de/2026/04/carlos-nino-bubble-bath-for-giants/#respond</comments>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Fri, 03 Apr 2026 15:48:37 +0000</pubDate>
				<category><![CDATA[spiritual]]></category>
		<guid isPermaLink="false">https://bklyn.de/?p=27691</guid>

					<description><![CDATA[Carlos Niño &#38; Friends return with Bubble Bath for Giants, a warm, immersive record that leans fully into their signature blend of spiritual jazz, ambient textures and communal improvisation. Built around a rotating cast of close collaborators, the album feels less like a fixed project and more like a living, breathing session. The music unfolds [&#8230;]]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">27691</post-id>	</item>
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		<title>Greg Foat &#038; Sokratis Votskos &#124; Impressions of Samos</title>
		<link>https://bklyn.de/2026/03/greg-foat-sokratis-votskos-impressions-of-samos/</link>
					<comments>https://bklyn.de/2026/03/greg-foat-sokratis-votskos-impressions-of-samos/#respond</comments>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Sat, 28 Mar 2026 15:32:55 +0000</pubDate>
				<category><![CDATA[world]]></category>
		<guid isPermaLink="false">https://bklyn.de/?p=27683</guid>

					<description><![CDATA[Greg Foat and Sokratis Votskos join forces on Impressions of Samos, a sunlit, transportive album shaped by the landscapes and atmosphere of the Greek island. Backed by The Giorgos Pappas Trio, the record blends Foat’s cinematic jazz language with Votskos’ roots in Greek traditional music, creating a sound that feels both grounded and drifting. Recorded [&#8230;]]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">27683</post-id>	</item>
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		<title>Atabasca &#124; Atabasca</title>
		<link>https://bklyn.de/2026/03/atabasca-atabasca/</link>
					<comments>https://bklyn.de/2026/03/atabasca-atabasca/#respond</comments>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Sat, 28 Mar 2026 10:36:15 +0000</pubDate>
				<category><![CDATA[world]]></category>
		<guid isPermaLink="false">https://bklyn.de/?p=27678</guid>

					<description><![CDATA[With their self-titled debut, Atabasca introduce a warm, groove-centered sound that sits at the intersection of jazz, soul, and instrumental hip-hop. Rooted in live musicianship and subtle improvisation, the album unfolds with an easy, organic flow—never rushed, always attentive to detail. Soft keys, mellow basslines, and understated rhythms create a laid-back atmosphere, while gentle melodic [&#8230;]]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">27678</post-id>	</item>
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		<title>The Three Seas &#124; Antaḥkaraṇa</title>
		<link>https://bklyn.de/2026/03/the-three-seas-anta%e1%b8%a5kara%e1%b9%87a/</link>
					<comments>https://bklyn.de/2026/03/the-three-seas-anta%e1%b8%a5kara%e1%b9%87a/#respond</comments>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Sat, 28 Mar 2026 10:24:22 +0000</pubDate>
				<category><![CDATA[world]]></category>
		<guid isPermaLink="false">https://bklyn.de/?p=27671</guid>

					<description><![CDATA[Bengali-Australian ensemble The Three Seas return with Antaḥkaraṇa, their most expansive and spiritually charged work to date. Recorded at Peter Gabriel’s Real World Studios, the album brings together Baul mysticism, Himalayan folk, dub, rock and electronica into a deeply immersive, trance-like sound. The title, Sanskrit for “inner instrument,” reflects a meeting point of memory, intuition [&#8230;]]]></description>
		
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			<slash:comments>0</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">27671</post-id>	</item>
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		<title>Adrian Quesada &#124; Trio Asesino</title>
		<link>https://bklyn.de/2026/03/adrian-quesada-trio-asesino/</link>
					<comments>https://bklyn.de/2026/03/adrian-quesada-trio-asesino/#respond</comments>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Fri, 27 Mar 2026 15:44:02 +0000</pubDate>
				<category><![CDATA[exotic]]></category>
		<guid isPermaLink="false">https://bklyn.de/?p=27665</guid>

					<description><![CDATA[With Trio Asesino, Adrian Quesada dives deep into cinematic soul, crafting a moody, instrumental-driven record that feels like the soundtrack to an unseen film. Known for his work with Black Pumas and his analog-heavy production style, Quesada leans into vintage textures, blending psychedelic funk, Latin influences, and dusty groove aesthetics. Built around tight rhythm sections, [&#8230;]]]></description>
		
					<wfw:commentRss>https://bklyn.de/2026/03/adrian-quesada-trio-asesino/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">27665</post-id>	</item>
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		<title>Matt Gold &#038; Dustin Laurenzi &#124; Devotional Fade</title>
		<link>https://bklyn.de/2026/03/matt-gold-dustin-laurenzi-devotional-fade/</link>
					<comments>https://bklyn.de/2026/03/matt-gold-dustin-laurenzi-devotional-fade/#respond</comments>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Fri, 27 Mar 2026 14:18:15 +0000</pubDate>
				<category><![CDATA[jazz]]></category>
		<guid isPermaLink="false">https://bklyn.de/?p=27657</guid>

					<description><![CDATA[Matt Gold and Dustin Laurenzi present Devotional Fade, a collaborative record of electroacoustic rhythmic improvisations – equal parts meditation and dance, released on We Jazz Records, 24th April. Laurenzi and Gold, key collaborators in the Chicago creative scene and with genre spanning artists such as Bill Callahan and Makaya McCraven, step forward here with a [&#8230;]]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">27657</post-id>	</item>
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		<title>Meeting By Chance &#124; Time Deception</title>
		<link>https://bklyn.de/2026/03/meeting-by-chance-time-deception/</link>
					<comments>https://bklyn.de/2026/03/meeting-by-chance-time-deception/#respond</comments>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Fri, 27 Mar 2026 13:38:43 +0000</pubDate>
				<category><![CDATA[downtempo]]></category>
		<guid isPermaLink="false">https://bklyn.de/?p=27651</guid>

					<description><![CDATA[On Time Deception, the collective Meeting By Chance crafts a fluid, genre-blurring record that moves between jazz, broken beat, and atmospheric electronics. Built on loose improvisation and subtle rhythmic interplay, the album unfolds like a series of shifting moments—never rushed, always evolving. Warm keys, airy synth textures, and restrained grooves create a sense of suspended [&#8230;]]]></description>
		
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			<slash:comments>0</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">27651</post-id>	</item>
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		<title>Adrian Younge &#124; Younge</title>
		<link>https://bklyn.de/2026/03/adrian-younge-younge/</link>
					<comments>https://bklyn.de/2026/03/adrian-younge-younge/#respond</comments>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Thu, 26 Mar 2026 14:21:45 +0000</pubDate>
				<category><![CDATA[soul]]></category>
		<guid isPermaLink="false">https://bklyn.de/?p=27645</guid>

					<description><![CDATA[With Younge, composer and producer Adrian Younge delivers a deeply personal and sonically rich statement that distills his signature analog sound into its purest form. Known for his work with Ali Shaheed Muhammad, Souls of Mischief, and the Jazz Is Dead series, Younge leans fully into his cinematic vision here—melding psychedelic soul, orchestral arrangements, and [&#8230;]]]></description>
		
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			<slash:comments>0</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">27645</post-id>	</item>
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		<title>bklyn &#124; favourite things 2.26</title>
		<link>https://bklyn.de/2026/03/bklyn-favourite-things-2-26/</link>
					<comments>https://bklyn.de/2026/03/bklyn-favourite-things-2-26/#respond</comments>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Wed, 25 Mar 2026 14:49:02 +0000</pubDate>
				<category><![CDATA[favourite things]]></category>
		<guid isPermaLink="false">https://bklyn.de/?p=27639</guid>

					<description><![CDATA[bklyn favourite things 2.26 –  &#8211; Alabaster DePlume, Anenon, Ash Walker, Booker Stardrum, Carlos Niño feat. Saul Williams, Charlotte Day Wilson, Ego Ella May, Elori Saxl feat. Henry Solomon, Ezra Collective, Fabiano Do Nascimento &#38; E Ruscha V, FloFilz feat. Gabiga, GENA, greenSLLIME feat. Mick Jenkins, Gregory Uhlmann, Jiaao, Mansur Brown, Matt Gold &#38; Dustin [&#8230;]]]></description>
		
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			<slash:comments>0</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">27639</post-id>	</item>
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		<title>Horatio Luna &#124; Action Reaction</title>
		<link>https://bklyn.de/2026/03/horatio-luna-action-reaction/</link>
					<comments>https://bklyn.de/2026/03/horatio-luna-action-reaction/#respond</comments>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Sun, 22 Mar 2026 17:51:35 +0000</pubDate>
				<category><![CDATA[broken beat]]></category>
		<guid isPermaLink="false">https://bklyn.de/?p=27633</guid>

					<description><![CDATA[On ACTION REACTION, producer and multi-instrumentalist Horatio Luna crafts a fluid, genre-blurring record that moves between jazz, broken beat, and electronic soul with ease. Built on tight rhythmic interplay and richly layered textures, the album explores the constant push and pull between motion and response — tension and release. Warm keys, intricate percussion, and subtle [&#8230;]]]></description>
		
					<wfw:commentRss>https://bklyn.de/2026/03/horatio-luna-action-reaction/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">27633</post-id>	</item>
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		<title>14KT &#124; Morning Meds</title>
		<link>https://bklyn.de/2026/03/14kt-morning-meds/</link>
					<comments>https://bklyn.de/2026/03/14kt-morning-meds/#respond</comments>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Sun, 22 Mar 2026 17:47:40 +0000</pubDate>
				<category><![CDATA[jazz]]></category>
		<guid isPermaLink="false">https://bklyn.de/?p=27627</guid>

					<description><![CDATA[On Morning Meds, Detroit producer 14KT delivers a warm, groove-driven collection that sits somewhere between instrumental hip-hop, jazz, and soulful beat music. Known for his MPC craftsmanship and rich sampling palette, 14KT leans into a more reflective, easy-flowing sound here — built for slow starts, clear heads, and steady momentum. The album unfolds with dusty [&#8230;]]]></description>
		
					<wfw:commentRss>https://bklyn.de/2026/03/14kt-morning-meds/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">27627</post-id>	</item>
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		<title>Gnarls Barkley &#124; Atlanta</title>
		<link>https://bklyn.de/2026/03/gnarls-barkley-atlanta/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Fri, 06 Mar 2026 19:35:43 +0000</pubDate>
				<category><![CDATA[alternative]]></category>
		<guid isPermaLink="false">https://bklyn.de/?p=27616</guid>

					<description><![CDATA[With Atlanta, Gnarls Barkley return with their first new album in years, revisiting the creative chemistry that made the duo of CeeLo Green and Danger Mouse one of the most distinctive voices in modern soul and alternative hip-hop. Named after CeeLo’s hometown, the album feels like both a tribute and a reflection — rooted in [&#8230;]]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">27616</post-id>	</item>
		<item>
		<title>Fink &#124; The City Is Coming To Erase It All</title>
		<link>https://bklyn.de/2026/03/fink-the-city-is-coming-to-erase-it-all/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Fri, 06 Mar 2026 19:28:42 +0000</pubDate>
				<category><![CDATA[blues]]></category>
		<category><![CDATA[folk]]></category>
		<guid isPermaLink="false">https://bklyn.de/?p=27610</guid>

					<description><![CDATA[These days – on the new, ninth Fink album – Greenall is operating within a lineage of authentic, quietly revolutionary artists from England’s verdant southwestern toe. Artists like Michael Chapman. In 1970, the elusive acoustic guitar wizard released an album called Fully Qualified Survivor. The cult-classic served as a lodestar for Greenall – along with [&#8230;]]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">27610</post-id>	</item>
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		<title>Booker Stardrum &#124; Close-up On The Outside</title>
		<link>https://bklyn.de/2026/03/booker-stardrum-close-up-on-the-outside/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Fri, 06 Mar 2026 19:25:31 +0000</pubDate>
				<category><![CDATA[experimental]]></category>
		<guid isPermaLink="false">https://bklyn.de/?p=27601</guid>

					<description><![CDATA[On Close-up On The Outside, drummer and composer Booker Stardrum presents a deeply textured solo statement that balances organic sound with electroacoustic exploration. Released via We Jazz Records, the album blends field recordings, handmade percussion, and electronic processing into a warm, tactile sound world that feels both intimate and expansive. First conceived during an artist [&#8230;]]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">27601</post-id>	</item>
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		<title>Błoto + Ion D &#038; Plevna &#124; Zmiany / Schimbări</title>
		<link>https://bklyn.de/2026/03/bloto-ion-d-plevna-zmiany-schimbari/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Fri, 06 Mar 2026 19:22:17 +0000</pubDate>
				<category><![CDATA[jazz]]></category>
		<guid isPermaLink="false">https://bklyn.de/?p=27594</guid>

					<description><![CDATA[Polish quartet Błoto has always resisted fixed aesthetics, favoring experimentation and instinct over genre boundaries. With Zmiany / Schimbări, the band opens a new chapter—one shaped by a creative residency in Bucharest and collaborations with musicians from the underground Future Nuggets scene, led by producer Ion D. The project marks the beginning of a series [&#8230;]]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">27594</post-id>	</item>
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		<title>Jasmine Myra &#124; Where Light Settles</title>
		<link>https://bklyn.de/2026/03/jasmine-myra-where-light-settles/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Sun, 01 Mar 2026 12:56:00 +0000</pubDate>
				<category><![CDATA[jazz]]></category>
		<guid isPermaLink="false">https://bklyn.de/?p=27587</guid>

					<description><![CDATA[Saxophonist and composer Jasmine Myra presents nine beautiful and powerfully grounded compositions that express her ruminations on life, growth, and progression, powered by the artist’s vision of duality. “It’s those bittersweet moments which are heart-breaking but so important. Looking forward and trying to make sense of life,” she says. “Pain is unavoidable, and you’ll have [&#8230;]]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">27587</post-id>	</item>
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		<title>Whitney Johnson, Lia Kohl, Macie Stewart &#124; BODY SOUND</title>
		<link>https://bklyn.de/2026/02/whitney-johnson-lia-kohl-macie-stewart-body-sound/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Tue, 24 Feb 2026 15:54:33 +0000</pubDate>
				<category><![CDATA[experimental]]></category>
		<guid isPermaLink="false">https://bklyn.de/?p=27581</guid>

					<description><![CDATA[Whitney Johnson, Lia Kohl, and Macie Stewart unite strings, voice, and analog tape manipulation to create BODY SOUND — an immersive work rooted in improvisation, intimacy, and spatial awareness. Built from viola, cello, violin, and wordless vocals, the trio’s music moves between tranquil drones and disquieting textures, shaped in real time through deep listening and [&#8230;]]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">27581</post-id>	</item>
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		<title>bklyn &#124; favourite things 1.26</title>
		<link>https://bklyn.de/2026/02/bklyn-favourite-things-1-26/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Sun, 22 Feb 2026 12:04:39 +0000</pubDate>
				<category><![CDATA[favourite things]]></category>
		<guid isPermaLink="false">https://bklyn.de/?p=27572</guid>

					<description><![CDATA[bklyn favourite things 1.26 – Jill Scott, Amir Bresler feat. KerenDun, Benjamin Herman feat. Akihito Obama &#38; Ko Ishikawa, Bhairavi Raman, Boukas &#38; Likeness, Charlotte Day Wilson feat. Saya Gray, Eddie Chacon feat. Jake Viator, Ego Ella May, Fabiano Do Nascimento &#38; E Ruscha V, Felicity J Lord, Gavsborg, GoGo Penguin, Gregory Uhlmann feat. Alabaster [&#8230;]]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">27572</post-id>	</item>
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		<title>Alabaster DePlume &#124; Dear Children of Our Children, I Knew-Epilogue</title>
		<link>https://bklyn.de/2026/02/alabaster-deplume-dear-children-of-our-children-i-knew-epilogue/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Sun, 22 Feb 2026 11:59:21 +0000</pubDate>
				<category><![CDATA[jazz]]></category>
		<guid isPermaLink="false">https://bklyn.de/?p=27566</guid>

					<description><![CDATA[‘Dear Children of Our Children, I Knew: Epilogue’ is a new EP by Alabaster DePlume, recorded during his March 2025 US tour. Performing with bassist Shahzad Ismaily and drummer Tcheser Holmes, DePlume had been presenting material from A Blade Because A Blade Is Whole. The trio’s immediate onstage chemistry led to a spontaneous studio session [&#8230;]]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">27566</post-id>	</item>
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		<title>Błoto &#124; We Remember J Dilla</title>
		<link>https://bklyn.de/2026/02/bloto-we-remember-j-dilla/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Sun, 22 Feb 2026 11:22:58 +0000</pubDate>
				<category><![CDATA[jazz]]></category>
		<guid isPermaLink="false">https://bklyn.de/?p=27560</guid>

					<description><![CDATA[Every year, when February arrives, the global hip-hop community comes together to remember one of the greatest innovators in contemporary music, J Dilla. Born on February 7, 1974, James Yancey, also known as Jay Dee, revolutionized the sound of hip-hop and soul during his lifetime, and, in the years after his passing, his influence reached [&#8230;]]]></description>
		
		
		
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