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	<title>bklyn music</title>
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	<link>https://bklyn.de</link>
	<description>jazz not war</description>
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	<title>bklyn music</title>
	<link>https://bklyn.de</link>
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	<item>
		<title>Asa Tone &#124; Mutualkind</title>
		<link>https://bklyn.de/2026/10/asa-tone-mutualkind/</link>
		
		<dc:creator><![CDATA[Reineke]]></dc:creator>
		<pubDate>Sat, 24 Oct 2026 14:58:06 +0000</pubDate>
				<category><![CDATA[ambient]]></category>
		<category><![CDATA[electronic]]></category>
		<guid isPermaLink="false">https://bklyn.de/?p=28993</guid>

					<description><![CDATA[A delicate interplay of organic percussion, electronic textures and fragmented melodies shapes the musical world of Asa Tone. The experimental trio, consisting of Melati Malay, Kaazi and Tristan Arp, approaches composition with a sense of curiosity and openness, drawing inspiration from ambient music, minimalism, field recordings and the rhythmic traditions of Southeast Asia. Mutualkind explores [&#8230;]]]></description>
		
		
		
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		<item>
		<title>Nik Bärtsch &#038; Tania Giannouli &#124; Metakosmos</title>
		<link>https://bklyn.de/2026/10/nik-bartsch-and-tania-giannouli-metakosmos/</link>
		
		<dc:creator><![CDATA[Reineke]]></dc:creator>
		<pubDate>Fri, 23 Oct 2026 15:31:54 +0000</pubDate>
				<category><![CDATA[classical]]></category>
		<guid isPermaLink="false">https://bklyn.de/?p=28870</guid>

					<description><![CDATA[Two distinctive voices in contemporary European jazz come together on METAKOSMOS, bringing their individual approaches to rhythm, improvisation and musical space into an intimate dialogue. Swiss pianist Nik Bärtsch, known for his hypnotic, rhythmically structured compositions and his concept of ritual groove music, meets Greek pianist and composer Tania Giannouli, whose work moves between contemporary [&#8230;]]]></description>
		
		
		
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		<item>
		<title>Surprise Chef &#124; Frogs In A Pond</title>
		<link>https://bklyn.de/2026/10/surprise-chef-frogs-in-a-pond/</link>
		
		<dc:creator><![CDATA[Reineke]]></dc:creator>
		<pubDate>Fri, 23 Oct 2026 15:27:52 +0000</pubDate>
				<category><![CDATA[funk]]></category>
		<guid isPermaLink="false">https://bklyn.de/?p=28864</guid>

					<description><![CDATA[Melbourne’s Surprise Chef have built their reputation on a distinctive blend of instrumental soul, jazz-funk and cinematic grooves, drawing inspiration from library music, vintage soundtracks and the understated elegance of 1970s studio recordings. Their approach is rooted in simplicity and precision, allowing subtle arrangements and carefully crafted melodies to speak for themselves. Frogs In A [&#8230;]]]></description>
		
		
		
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		<title>Adrian Younge &#124; The Midnight Hour: Lost Tapes</title>
		<link>https://bklyn.de/2026/10/adrian-younge-the-midnight-hour-lost-tapes/</link>
		
		<dc:creator><![CDATA[Reineke]]></dc:creator>
		<pubDate>Fri, 23 Oct 2026 15:23:20 +0000</pubDate>
				<category><![CDATA[jazz]]></category>
		<guid isPermaLink="false">https://bklyn.de/?p=28858</guid>

					<description><![CDATA[The unmistakable warmth of analogue recording, lush orchestration and a deep appreciation for classic soul have long defined the work of Los Angeles composer and producer Adrian Younge. His collaboration with A Tribe Called Quest’s Ali Shaheed Muhammad as The Midnight Hour has become a distinctive meeting point between cinematic soul, jazz and the musical [&#8230;]]]></description>
		
		
		
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		<title>Goya Gumbani &#124; Bean Pie</title>
		<link>https://bklyn.de/2026/10/goya-gumbani-bean-pie/</link>
		
		<dc:creator><![CDATA[Reineke]]></dc:creator>
		<pubDate>Wed, 21 Oct 2026 19:08:00 +0000</pubDate>
				<category><![CDATA[hip-hop]]></category>
		<guid isPermaLink="false">https://bklyn.de/?p=28704</guid>

					<description><![CDATA[Brooklyn-born, London-based rapper Goya Gumbani has developed a distinctive sound that moves between underground hip-hop, jazz and the warmer, more introspective corners of contemporary soul. His laid-back delivery and thoughtful lyricism reflect an artist equally interested in storytelling, atmosphere and the subtle details of everyday life. Bean Pie unfolds through dusty drum patterns, soulful samples [&#8230;]]]></description>
		
		
		
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		<title>Energy Exchange Ensemble &#124; Energy Exchange Records Vol. II</title>
		<link>https://bklyn.de/2026/10/energy-exchange-ensemble-energy-exchange-records-vol-ii/</link>
		
		<dc:creator><![CDATA[Reineke]]></dc:creator>
		<pubDate>Tue, 20 Oct 2026 12:22:32 +0000</pubDate>
				<category><![CDATA[electronic]]></category>
		<guid isPermaLink="false">https://bklyn.de/?p=28832</guid>

					<description><![CDATA[Rhythm, improvisation and collective interplay lie at the heart of Energy Exchange Ensemble’s musical approach. Moving between contemporary jazz, broken beat, funk and electronic influences, the collective explores a sound shaped by the connection between live instrumentation and dancefloor-oriented grooves. Energy Exchange Records Vol II brings together fluid basslines, intricate percussion, warm keyboard textures and [&#8230;]]]></description>
		
		
		
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		<title>Tamar Osborn &#124; VARIER: BERLIN</title>
		<link>https://bklyn.de/2026/10/tamar-osborn-varier-berlin/</link>
		
		<dc:creator><![CDATA[Reineke]]></dc:creator>
		<pubDate>Mon, 19 Oct 2026 10:10:16 +0000</pubDate>
				<category><![CDATA[jazz]]></category>
		<guid isPermaLink="false">https://bklyn.de/?p=28517</guid>

					<description><![CDATA[British saxophonist and multi-instrumentalist Tamar Osborn has established a distinctive musical voice through her work with Collocutor and collaborations across the contemporary jazz and experimental music scenes. Her approach moves freely between spiritual jazz, improvisation, ambient textures and electronic experimentation, often exploring the relationship between acoustic instruments and atmospheric soundscapes. VARIER: BERLIN reflects this openness [&#8230;]]]></description>
		
		
		
			</item>
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		<title>JD Allen &#124; SÖWT</title>
		<link>https://bklyn.de/2026/10/jd-allen-sowt/</link>
		
		<dc:creator><![CDATA[Reineke]]></dc:creator>
		<pubDate>Mon, 19 Oct 2026 10:04:33 +0000</pubDate>
				<category><![CDATA[jazz]]></category>
		<guid isPermaLink="false">https://bklyn.de/?p=28526</guid>

					<description><![CDATA[Few contemporary tenor saxophonists approach their instrument with the same intensity and uncompromising focus as JD Allen. Drawing on the traditions of John Coltrane, Sonny Rollins and the more exploratory side of American jazz, Allen has developed a distinctive musical language built around powerful melodic statements, rhythmic tension and an expressive economy of notes. SÖWT [&#8230;]]]></description>
		
		
		
			</item>
		<item>
		<title>Lefto presents Jazz Cats Vol. 4</title>
		<link>https://bklyn.de/2026/10/lefto-presents-jazz-cats-volume-4/</link>
		
		<dc:creator><![CDATA[Reineke]]></dc:creator>
		<pubDate>Mon, 19 Oct 2026 09:55:49 +0000</pubDate>
				<category><![CDATA[jazz]]></category>
		<guid isPermaLink="false">https://bklyn.de/?p=28520</guid>

					<description><![CDATA[Belgian DJ, broadcaster and tastemaker Lefto Early Bird has spent decades connecting the dots between jazz, hip-hop, electronic music and the more adventurous corners of contemporary club culture. His Jazz Cats compilation series reflects that curiosity, offering a platform for emerging artists and forward-thinking sounds from Belgium’s vibrant jazz scene. The fourth volume continues this [&#8230;]]]></description>
		
		
		
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		<title>Jimetta Rose &#124; MettaSun</title>
		<link>https://bklyn.de/2026/10/jimetta-rose-mettasun/</link>
		
		<dc:creator><![CDATA[Reineke]]></dc:creator>
		<pubDate>Mon, 19 Oct 2026 09:50:29 +0000</pubDate>
				<category><![CDATA[r&b/soul]]></category>
		<guid isPermaLink="false">https://bklyn.de/?p=28511</guid>

					<description><![CDATA[Deeply rooted in the musical and spiritual traditions of Los Angeles, Jimetta Rose brings together elements of gospel, spiritual jazz and contemporary soul on MettaSun. The singer, songwriter and community organiser has long explored music as a means of connection, healing and collective expression, drawing inspiration from the rich heritage of Black American music. Her [&#8230;]]]></description>
		
		
		
			</item>
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		<title>Mounika &#124; Sometimes I Have Many Thoughts</title>
		<link>https://bklyn.de/2026/10/mounika-sometimes-i-have-many-thoughts/</link>
		
		<dc:creator><![CDATA[Reineke]]></dc:creator>
		<pubDate>Sat, 17 Oct 2026 10:22:36 +0000</pubDate>
				<category><![CDATA[electronic]]></category>
		<guid isPermaLink="false">https://bklyn.de/?p=28363</guid>

					<description><![CDATA[French producer Mounika. has developed a distinctive sound that moves between instrumental hip-hop, downtempo, and atmospheric electronic music. Sometimes I Have Many Thoughts continues this exploration, bringing together dusty samples, mellow beats, and delicate melodic fragments in a deeply personal and introspective collection. Rooted in the tradition of sample-based beatmaking, the music combines warm, nostalgic [&#8230;]]]></description>
		
		
		
			</item>
		<item>
		<title>Mansur Brown &#124; Aurora</title>
		<link>https://bklyn.de/2026/10/mansur-brown-aurora/</link>
		
		<dc:creator><![CDATA[Reineke]]></dc:creator>
		<pubDate>Fri, 16 Oct 2026 15:35:47 +0000</pubDate>
				<category><![CDATA[fusion]]></category>
		<category><![CDATA[jazz]]></category>
		<guid isPermaLink="false">https://bklyn.de/?p=28357</guid>

					<description><![CDATA[London-based guitarist and producer Mansur Brown has carved out a musical language that draws equally from jazz fusion, electronic music, and contemporary R&#38;B. On Aurora, his unmistakable guitar playing moves through expansive arrangements shaped by atmospheric synthesizers, intricate percussion, and deep, fluid basslines. Brown’s approach is as much about texture and emotion as it is [&#8230;]]]></description>
		
		
		
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		<item>
		<title>Electric Circus &#124; Rites</title>
		<link>https://bklyn.de/2026/10/electric-circus-rites/</link>
		
		<dc:creator><![CDATA[Reineke]]></dc:creator>
		<pubDate>Thu, 15 Oct 2026 07:13:18 +0000</pubDate>
				<category><![CDATA[jazz]]></category>
		<guid isPermaLink="false">https://bklyn.de/?p=28324</guid>

					<description><![CDATA[Rites finds Electric Circus navigating a musical landscape where psychedelic rock, jazz fusion, and improvisation converge. Driven by hypnotic grooves and an exploratory approach to composition, the record draws on the adventurous spirit of the early 1970s while maintaining a distinctly contemporary sensibility. Repetitive rhythmic patterns provide the foundation for extended instrumental passages, shifting harmonies, [&#8230;]]]></description>
		
		
		
			</item>
		<item>
		<title>Lord Of The Isles &#124; Ambient Store</title>
		<link>https://bklyn.de/2026/10/lord-of-the-isles-ambient-store/</link>
		
		<dc:creator><![CDATA[Reineke]]></dc:creator>
		<pubDate>Tue, 13 Oct 2026 15:08:47 +0000</pubDate>
				<category><![CDATA[ambient]]></category>
		<guid isPermaLink="false">https://bklyn.de/?p=28269</guid>

					<description><![CDATA[Scottish electronic musician Neil McDonald, better known as Lord Of The Isles, has long explored the atmospheric possibilities of analogue synthesis. Ambient Store places this fascination at the forefront, moving away from the rhythmic foundations of his club-oriented productions toward a more spacious and contemplative sound. Slowly unfolding synthesizer sequences, warm harmonic layers, and delicate [&#8230;]]]></description>
		
		
		
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		<item>
		<title>Caoilfhionn Rose &#124; Draw Out Your World</title>
		<link>https://bklyn.de/2026/10/caoilfhionn-rose-draw-out-your-world/</link>
		
		<dc:creator><![CDATA[Reineke]]></dc:creator>
		<pubDate>Tue, 13 Oct 2026 15:06:09 +0000</pubDate>
				<category><![CDATA[jazz]]></category>
		<guid isPermaLink="false">https://bklyn.de/?p=28263</guid>

					<description><![CDATA[With Draw Out Your World, Manchester singer-songwriter Caoilfhionn Rose continues to explore the delicate space between contemporary folk, jazz, dream pop, and subtle electronic experimentation. Her warm, intimate vocals drift through gently layered arrangements of acoustic instruments, soft synthesizers, and understated rhythms, creating a sound that feels both organic and quietly adventurous. There is a [&#8230;]]]></description>
		
		
		
			</item>
		<item>
		<title>Lorenzo Bianchi Hoesch &#124; Notes On The Memory Of Notes</title>
		<link>https://bklyn.de/2026/10/lorenzo-bianchi-hoesch-notes-on-the-memory-of-notes/</link>
		
		<dc:creator><![CDATA[Reineke]]></dc:creator>
		<pubDate>Tue, 13 Oct 2026 15:03:47 +0000</pubDate>
				<category><![CDATA[experimental]]></category>
		<category><![CDATA[jazz]]></category>
		<guid isPermaLink="false">https://bklyn.de/?p=28257</guid>

					<description><![CDATA[What remains of a musical idea once its original form has disappeared? Notes On The Memory Of Notes brings together electronic composer Lorenzo Bianchi Hoesch, Belgian saxophonist Fabrizio Cassol, and French cellist Adèle Viret for an exploration of sound, memory, and improvisation. The unusual combination of saxophone, cello, and electronics creates a constantly evolving dialogue [&#8230;]]]></description>
		
		
		
			</item>
		<item>
		<title>The Comet Is Coming &#124; The Complete Channel The Spirits Recordings</title>
		<link>https://bklyn.de/2026/10/the-comet-is-coming-the-complete-channel-the-spirits-recordings/</link>
		
		<dc:creator><![CDATA[Reineke]]></dc:creator>
		<pubDate>Wed, 07 Oct 2026 08:05:14 +0000</pubDate>
				<category><![CDATA[jazz]]></category>
		<guid isPermaLink="false">https://bklyn.de/?p=28230</guid>

					<description><![CDATA[Exploding In Slow Motion looks back at the formative years of The Comet Is Coming, bringing together the complete recordings surrounding their Mercury Prize-nominated debut Channel The Spirits. The collection combines the original album with the Prophecy and Death To The Planet EPs, rarities, early material, and four previously unreleased recordings from 2013–2017. Across 28 [&#8230;]]]></description>
		
		
		
			</item>
		<item>
		<title>Damon Locks &#038; D Composed &#124; Dawning</title>
		<link>https://bklyn.de/2026/10/damon-locks-d-composed-dawning/</link>
		
		<dc:creator><![CDATA[Reineke]]></dc:creator>
		<pubDate>Tue, 06 Oct 2026 16:30:23 +0000</pubDate>
				<category><![CDATA[jazz]]></category>
		<guid isPermaLink="false">https://bklyn.de/?p=28221</guid>

					<description><![CDATA[With Dawning, Chicago artist and composer Damon Locks joins forces with D-Composed, a Black chamber music collective dedicated to music by Black composers. The collaboration brings Locks’ sample-based practice, electronics, and archival voices into dialogue with strings, creating music that sits somewhere between contemporary classical composition, experimental jazz, and sound collage. Rather than treating the [&#8230;]]]></description>
		
		
		
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		<item>
		<title>Knxwledge. &#124; GT.3</title>
		<link>https://bklyn.de/2026/10/knxwledge-gt-3/</link>
		
		<dc:creator><![CDATA[Reineke]]></dc:creator>
		<pubDate>Tue, 06 Oct 2026 16:28:18 +0000</pubDate>
				<category><![CDATA[hip-hop]]></category>
		<guid isPermaLink="false">https://bklyn.de/?p=28215</guid>

					<description><![CDATA[With GT.3, Knxwledge continues his seemingly endless excavation of soul, jazz, R&#38;B, and hip-hop, reshaping fragments of familiar and forgotten recordings into his own unmistakable language. The third installment in the GT series is built from dusty loops, warped vocals, loose drums, and the deliberately rough edges that have long defined his production. Tracks arrive [&#8230;]]]></description>
		
		
		
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		<item>
		<title>Spiritual Jazz 19 &#124; West Coast USA Part 2</title>
		<link>https://bklyn.de/2026/10/spiritual-jazz-19-west-coast-usa-part-2/</link>
		
		<dc:creator><![CDATA[Reineke]]></dc:creator>
		<pubDate>Mon, 05 Oct 2026 11:52:52 +0000</pubDate>
				<category><![CDATA[jazz]]></category>
		<guid isPermaLink="false">https://bklyn.de/?p=28208</guid>

					<description><![CDATA[The nineteenth volume of Jazzman’s long-running Spiritual Jazz series turns its attention to the lesser-known spiritual, modal, and Afrocentric sounds that emerged on the American West Coast. Part 2 concentrates on the 1970s and ’80s, tracing how counterculture, Black political consciousness, alternative spirituality, and independent labels helped shape a jazz scene far removed from California’s [&#8230;]]]></description>
		
		
		
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