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	<title>bklyn music</title>
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	<description>make jazz not war</description>
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		<title>The Comet Is Coming &#124; The Complete Channel The Spirits Recordings</title>
		<link>https://bklyn.de/2026/10/the-comet-is-coming-the-complete-channel-the-spirits-recordings/</link>
		
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		<pubDate>Wed, 07 Oct 2026 08:05:14 +0000</pubDate>
				<category><![CDATA[jazz]]></category>
		<guid isPermaLink="false">https://bklyn.de/?p=28230</guid>

					<description><![CDATA[Exploding In Slow Motion looks back at the formative years of The Comet Is Coming, bringing together the complete recordings surrounding their Mercury Prize-nominated debut Channel The Spirits. The collection combines the original album with the Prophecy and Death To The Planet EPs, rarities, early material, and four previously unreleased recordings from 2013–2017. Across 28 [&#8230;]]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">28230</post-id>	</item>
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		<title>Damon Locks &#038; D Composed &#124; Dawning</title>
		<link>https://bklyn.de/2026/10/damon-locks-d-composed-dawning/</link>
		
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		<pubDate>Tue, 06 Oct 2026 16:30:23 +0000</pubDate>
				<category><![CDATA[jazz]]></category>
		<guid isPermaLink="false">https://bklyn.de/?p=28221</guid>

					<description><![CDATA[With Dawning, Chicago artist and composer Damon Locks joins forces with D-Composed, a Black chamber music collective dedicated to music by Black composers. The collaboration brings Locks’ sample-based practice, electronics, and archival voices into dialogue with strings, creating music that sits somewhere between contemporary classical composition, experimental jazz, and sound collage. Rather than treating the [&#8230;]]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">28221</post-id>	</item>
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		<title>Knxwledge. &#124; GT.3</title>
		<link>https://bklyn.de/2026/10/knxwledge-gt-3/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Tue, 06 Oct 2026 16:28:18 +0000</pubDate>
				<category><![CDATA[hip-hop]]></category>
		<guid isPermaLink="false">https://bklyn.de/?p=28215</guid>

					<description><![CDATA[With GT.3, Knxwledge continues his seemingly endless excavation of soul, jazz, R&#38;B, and hip-hop, reshaping fragments of familiar and forgotten recordings into his own unmistakable language. The third installment in the GT series is built from dusty loops, warped vocals, loose drums, and the deliberately rough edges that have long defined his production. Tracks arrive [&#8230;]]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">28215</post-id>	</item>
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		<title>Spiritual Jazz 19 &#124; West Coast USA Part 2</title>
		<link>https://bklyn.de/2026/10/spiritual-jazz-19-west-coast-usa-part-2/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Mon, 05 Oct 2026 11:52:52 +0000</pubDate>
				<category><![CDATA[jazz]]></category>
		<guid isPermaLink="false">https://bklyn.de/?p=28208</guid>

					<description><![CDATA[The nineteenth volume of Jazzman’s long-running Spiritual Jazz series turns its attention to the lesser-known spiritual, modal, and Afrocentric sounds that emerged on the American West Coast. Part 2 concentrates on the 1970s and ’80s, tracing how counterculture, Black political consciousness, alternative spirituality, and independent labels helped shape a jazz scene far removed from California’s [&#8230;]]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">28208</post-id>	</item>
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		<title>Allah-Las &#124; Sirenas</title>
		<link>https://bklyn.de/2026/10/allah-las-sirenas/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Sat, 03 Oct 2026 12:40:31 +0000</pubDate>
				<category><![CDATA[ambient]]></category>
		<category><![CDATA[electronic]]></category>
		<guid isPermaLink="false">https://bklyn.de/?p=28202</guid>

					<description><![CDATA[With Sirenas, Los Angeles quartet Allah-Las move further away from the hazy garage-pop of their early records and into a fully instrumental world of psychedelic exploration. Their sixth album was shaped by spontaneous experimentation, drawing inspiration from The Durutti Column, Popol Vuh’s Werner Herzog soundtracks, and the underwater worlds of Jacques Cousteau. Recorded in Topanga, [&#8230;]]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">28202</post-id>	</item>
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		<title>Meshell Ndegeocello &#124; Synonym</title>
		<link>https://bklyn.de/2026/10/meshell-ndegeocello-synonym/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Sat, 03 Oct 2026 11:40:38 +0000</pubDate>
				<category><![CDATA[neo-soul]]></category>
		<category><![CDATA[r&b/soul]]></category>
		<guid isPermaLink="false">https://bklyn.de/?p=28196</guid>

					<description><![CDATA[On Synonym, Meshell Ndegeocello approaches the cover album as an act of transformation rather than nostalgia. Across 15 songs drawn from six decades of folk, soul, pop, R&#38;B, rock, and hip-hop, familiar material is reshaped through her fluid language of jazz, funk, soul, and experimental production. The album is built around duets, pairing Ndegeocello and [&#8230;]]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">28196</post-id>	</item>
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		<title>Jeremiah Chiu &#124; Edge Conditions</title>
		<link>https://bklyn.de/2026/09/jeremiah-chiu-edge-conditions/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Wed, 30 Sep 2026 17:32:29 +0000</pubDate>
				<category><![CDATA[electronic]]></category>
		<guid isPermaLink="false">https://bklyn.de/?p=28189</guid>

					<description><![CDATA[With Edge Conditions, Los Angeles composer and synthesist Jeremiah Chiu continues his exploration of the space between ambient music, electronic composition, improvisation, and sound design. Modular synthesizers and carefully shaped electronic textures form an environment that feels organic despite its largely synthetic origins. The music develops through gradual shifts rather than conventional structures: tones overlap, [&#8230;]]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">28189</post-id>	</item>
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		<title>bklyn &#124; favourite things 9.26</title>
		<link>https://bklyn.de/2026/09/bklyn-favourite-things-9-26/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Wed, 30 Sep 2026 16:21:33 +0000</pubDate>
				<category><![CDATA[favourite things]]></category>
		<guid isPermaLink="false">https://bklyn.de/?p=28177</guid>

					<description><![CDATA[bklyn favourite things 9.26 – Gotts Street Park feat. Pip Millett, Jeremiah Chiu, Visible Cloaks feat. Motion Graphics, Emile Mosseri &#38; Hand Habits, Hermanos Gutiérrez, Allah-Las, Bonobo &#38; Joy Crookes, FKJ, Astrid Engberg feat. Miguel Atwood-Ferguson, Brittany Davis, Twit One feat. Reginald Omas Mamode IV, Devonwho, Bullion, Romare, Sampa The Great, Maston &#38; Greg Foat, [&#8230;]]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">28177</post-id>	</item>
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		<title>Telemakus &#124; Eight Ring Revival</title>
		<link>https://bklyn.de/2026/09/telemakus-eight-ring-revival/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Tue, 29 Sep 2026 13:46:00 +0000</pubDate>
				<category><![CDATA[jazz]]></category>
		<guid isPermaLink="false">https://bklyn.de/?p=28170</guid>

					<description><![CDATA[With Eight Ring Revival, Los Angeles pianist and producer Telemakus turns a period of physical limitation into an expansive exploration of jazz, hip-hop, fusion, and electronic music. Much of the project emerged while he was recovering from complications related to Ehlers-Danlos syndrome, forcing him to rethink his approach to composing and, at times, create music [&#8230;]]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">28170</post-id>	</item>
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		<title>Jacob O&#8217;Donnell &#124; The Modern Defense</title>
		<link>https://bklyn.de/2026/09/jacob-odonnell-the-modern-defense/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Mon, 28 Sep 2026 17:18:42 +0000</pubDate>
				<category><![CDATA[experimental]]></category>
		<guid isPermaLink="false">https://bklyn.de/?p=28160</guid>

					<description><![CDATA[With The Modern Defense, Lexington saxophonist, composer, and multi-instrumentalist Jacob O’Donnell continues the exploratory language introduced on his debut The London System. His music occupies a fluid space between ambient jazz, electronic experimentation, improvisation, and the more psychedelic edges of contemporary composition. Saxophone becomes both acoustic instrument and raw material, transformed through effects, looping, and [&#8230;]]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">28160</post-id>	</item>
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		<title>Michael Sarian &#124; In This Desert</title>
		<link>https://bklyn.de/2026/09/michael-sarian-in-this-desert/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Fri, 25 Sep 2026 16:27:13 +0000</pubDate>
				<category><![CDATA[jazz]]></category>
		<guid isPermaLink="false">https://bklyn.de/?p=28154</guid>

					<description><![CDATA[On In This Desert, New York trumpeter Michael Sarian and his long-standing quartet stretch electric jazz into expansive, psychedelic territory. Alongside Santiago Leibson on keyboards and Mini Moog, Marty Kenney on electric bass, and Nathan Ellman-Bell on drums, Sarian builds seven extended pieces around collective improvisation, atmosphere, and patient rhythmic development. The music moves between [&#8230;]]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">28154</post-id>	</item>
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		<title>Shatter Hands &#038; Friends &#124; Live At SMK Fridays</title>
		<link>https://bklyn.de/2026/09/shatter-hands-friends-live-at-smk-fridays/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Wed, 23 Sep 2026 16:09:26 +0000</pubDate>
				<category><![CDATA[jazz]]></category>
		<guid isPermaLink="false">https://bklyn.de/?p=28147</guid>

					<description><![CDATA[Recorded at Copenhagen’s SMK – Statens Museum for Kunst during the Surreal on Paper exhibition, Live At SMK Fridays captures Shatter Hands in an unusually spacious setting. Joined by Viktoria Søndergaard on vibraphone, Flavia Huarachi on flute and vocals, and Sofie Birch on tape recorder, percussion, zither, and sampler, the quartet transforms material from A [&#8230;]]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">28147</post-id>	</item>
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		<title>Twit One &#124; The Twit 1, II, Three</title>
		<link>https://bklyn.de/2026/09/twit-one-the-twit-1-ii-three/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Wed, 23 Sep 2026 15:59:07 +0000</pubDate>
				<category><![CDATA[hip-hop]]></category>
		<guid isPermaLink="false">https://bklyn.de/?p=28140</guid>

					<description><![CDATA[With The Twit 1, II, Three, Cologne producer Twit One brings together three chapters of his unmistakably loose and deeply musical approach to beatmaking. Rooted in hip-hop but constantly reaching toward jazz, soul, and leftfield electronics, the music feels deliberately unpolished, with dusty samples, crooked drums, warm keys, and small melodic fragments forming an idiosyncratic [&#8230;]]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">28140</post-id>	</item>
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		<title>Fabio de Almeida &#124; Requiem for a Dragon</title>
		<link>https://bklyn.de/2026/09/fabio-de-almeida-requiem-for-a-dragon/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Wed, 23 Sep 2026 12:10:48 +0000</pubDate>
				<category><![CDATA[jazz]]></category>
		<guid isPermaLink="false">https://bklyn.de/?p=28135</guid>

					<description><![CDATA[With Requiem for a Dragon, Fabio de Almeida creates an evocative world between contemporary jazz, ambient music, and cinematic composition. The album unfolds patiently, favoring atmosphere, texture, and emotional weight over conventional structures, with acoustic instrumentation moving through spacious and often dreamlike arrangements. There is a quiet sense of mystery throughout, shifting between delicate, introspective [&#8230;]]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">28135</post-id>	</item>
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		<title>Finn Streuper &#124; What It&#8217;s Like To Be A Bat</title>
		<link>https://bklyn.de/2026/09/finn-streuper-what-its-like-to-be-a-bat/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Wed, 23 Sep 2026 12:08:48 +0000</pubDate>
				<category><![CDATA[jazz]]></category>
		<guid isPermaLink="false">https://bklyn.de/?p=28128</guid>

					<description><![CDATA[With What It’s Like To Be A Bat, Dutch composer and multi-instrumentalist Finn Streuper creates an intriguing world between contemporary jazz, experimental composition, ambient music, and electronics. The music feels both carefully constructed and wonderfully unpredictable, moving through unusual rhythmic patterns, delicate melodies, and richly detailed acoustic textures. There is a playful curiosity running through [&#8230;]]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">28128</post-id>	</item>
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		<title>Martyn &#124; Music for Existing</title>
		<link>https://bklyn.de/2026/09/martyn-music-for-existing/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Wed, 23 Sep 2026 12:05:49 +0000</pubDate>
				<category><![CDATA[jazz]]></category>
		<guid isPermaLink="false">https://bklyn.de/?p=28122</guid>

					<description><![CDATA[With Music for Existing, Martyn steps away from the club-focused framework often associated with his work, creating a more spacious and introspective record shaped by ambient music, jazz, dub, and understated electronics. Rhythm remains important, but here it often feels suspended, surrounded by warm synths, drifting melodies, and carefully placed fragments of sound. There is [&#8230;]]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">28122</post-id>	</item>
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		<title>Okonski &#124; Additions</title>
		<link>https://bklyn.de/2026/09/okonski-additions/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Fri, 18 Sep 2026 14:58:35 +0000</pubDate>
				<category><![CDATA[jazz]]></category>
		<guid isPermaLink="false">https://bklyn.de/?p=28112</guid>

					<description><![CDATA[With Additions, pianist and composer Steve Okonski continues his exploration of intimate, groove-centered instrumental music, drawing from jazz, soul, and the warmth of classic piano trio recordings. The music feels deliberately unhurried, allowing melody, rhythm, and the natural character of the instruments to remain at the forefront. Okonski’s understated piano playing is surrounded by supple [&#8230;]]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">28112</post-id>	</item>
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		<title>Astrid Engberg &#124; Cracks</title>
		<link>https://bklyn.de/2026/09/astrid-engberg-cracks/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Fri, 18 Sep 2026 14:53:27 +0000</pubDate>
				<category><![CDATA[experimental]]></category>
		<category><![CDATA[folk]]></category>
		<guid isPermaLink="false">https://bklyn.de/?p=28106</guid>

					<description><![CDATA[With Cracks, Danish singer, producer, and composer Astrid Engberg continues to shape her distinctive space between neo-soul, jazz, hip-hop, and electronic experimentation. Her warm, expressive voice sits within richly textured arrangements where organic instrumentation, dusty rhythms, and subtle electronic details flow naturally into one another. The album carries an intimate, reflective quality, exploring vulnerability and [&#8230;]]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">28106</post-id>	</item>
		<item>
		<title>Miguel Atwood-Ferguson &#124; Ananta: Spirit Of Coltrane</title>
		<link>https://bklyn.de/2026/09/miguel-atwood-ferguson-ananta-spirit-of-coltrane/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Fri, 18 Sep 2026 14:47:49 +0000</pubDate>
				<category><![CDATA[jazz]]></category>
		<guid isPermaLink="false">https://bklyn.de/?p=28099</guid>

					<description><![CDATA[Marking the centenary of John Coltrane’s birth, Miguel Atwood-Ferguson approaches his music not as something to preserve, but as a living spiritual language. Leading a 21-piece ensemble, the Los Angeles composer and multi-instrumentalist reimagines pieces including “Naima,” “Giant Steps,” “My Favorite Things,” and “A Love Supreme, Pt. II – Resolution,” opening them toward contemporary jazz, [&#8230;]]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">28099</post-id>	</item>
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		<title>Blue Earth Sound &#124; Everything to Remember</title>
		<link>https://bklyn.de/2026/09/blue-earth-sound-everything-to-remember/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Fri, 18 Sep 2026 14:24:37 +0000</pubDate>
				<category><![CDATA[jazz]]></category>
		<guid isPermaLink="false">https://bklyn.de/?p=28092</guid>

					<description><![CDATA[With Everything to Remember, Blue Earth Sound creates a quietly immersive world shaped by ambient textures, gentle electronics, and organic instrumentation. The music unfolds patiently, favoring atmosphere and emotional resonance over conventional song structures, with small melodic details emerging and disappearing like fragments of memory. Warm tones, spacious arrangements, and subtle rhythmic movement give the [&#8230;]]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">28092</post-id>	</item>
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