On this double length LP, Phil Stroud offers listeners a diverse selection of instrumental works; the result of numerous writing and recording sessions with close friends in both Boorloo (Perth) and Naarm (Melbourne). A distinct ensemble focus on ‘Apparitions’ allows for the development of modal and rhythmic ideas that have for a long time been central to Phil’s listening and playing. These compositions mark an important development of approach and add new territory to a greater body of music that currently includes releases on Brownswood Recordings, Good Company Records and Deep Water.
Underpinning Apparitions is a process guided by an appreciation for the incidental in music. Many of the ideas heard on these recordings began as spontaneous moments of improvisation that were then expanded into detailed arrangements, produced and mixed by Phil — who cites the approaches of Teo Macero, Miles Davis and John Hassel as inspiration for the production techniques on the record.
Underpinning Apparitions is a process guided by an appreciation for the incidental in music. Many of the ideas heard on these recordings began as spontaneous moments of improvisation that were then expanded into detailed arrangements, produced and mixed by Phil — who cites the approaches of Teo Macero, Miles Davis and John Hassel as inspiration for the production techniques on the record.