With Rites, Electric Circus explore the intersection of psychedelic jazz, experimental rock, and groove-driven improvisation. Built around hypnotic rhythms, expressive instrumentation, and a restless sense of experimentation, the music moves between tightly woven passages and more expansive, free-flowing moments. Drawing

With Draw Out Your World, Manchester singer-songwriter Caoilfhionn Rose continues to explore the delicate space between contemporary folk, jazz, dream pop, and subtle electronic experimentation. Her warm, intimate vocals drift through gently layered arrangements of acoustic instruments, soft synthesizers, and

Exploding In Slow Motion looks back at the formative years of The Comet Is Coming, bringing together the complete recordings surrounding their Mercury Prize-nominated debut Channel The Spirits. The collection combines the original album with the Prophecy and Death To

With Dawning, Chicago artist and composer Damon Locks joins forces with D-Composed, a Black chamber music collective dedicated to music by Black composers. The collaboration brings Locks’ sample-based practice, electronics, and archival voices into dialogue with strings, creating music that

The nineteenth volume of Jazzman’s long-running Spiritual Jazz series turns its attention to the lesser-known spiritual, modal, and Afrocentric sounds that emerged on the American West Coast. Part 2 concentrates on the 1970s and ’80s, tracing how counterculture, Black political

With Eight Ring Revival, Los Angeles pianist and producer Telemakus turns a period of physical limitation into an expansive exploration of jazz, hip-hop, fusion, and electronic music. Much of the project emerged while he was recovering from complications related to

On In This Desert, New York trumpeter Michael Sarian and his long-standing quartet stretch electric jazz into expansive, psychedelic territory. Alongside Santiago Leibson on keyboards and Mini Moog, Marty Kenney on electric bass, and Nathan Ellman-Bell on drums, Sarian builds

Recorded at Copenhagen’s SMK – Statens Museum for Kunst during the Surreal on Paper exhibition, Live At SMK Fridays captures Shatter Hands in an unusually spacious setting. Joined by Viktoria Søndergaard on vibraphone, Flavia Huarachi on flute and vocals, and

With Requiem for a Dragon, Fabio de Almeida creates an evocative world between contemporary jazz, ambient music, and cinematic composition. The album unfolds patiently, favoring atmosphere, texture, and emotional weight over conventional structures, with acoustic instrumentation moving through spacious and

With What It’s Like To Be A Bat, Dutch composer and multi-instrumentalist Finn Streuper creates an intriguing world between contemporary jazz, experimental composition, ambient music, and electronics. The music feels both carefully constructed and wonderfully unpredictable, moving through unusual rhythmic

With Music for Existing, Martyn steps away from the club-focused framework often associated with his work, creating a more spacious and introspective record shaped by ambient music, jazz, dub, and understated electronics. Rhythm remains important, but here it often feels

With Additions, pianist and composer Steve Okonski continues his exploration of intimate, groove-centered instrumental music, drawing from jazz, soul, and the warmth of classic piano trio recordings. The music feels deliberately unhurried, allowing melody, rhythm, and the natural character of

Marking the centenary of John Coltrane’s birth, Miguel Atwood-Ferguson approaches his music not as something to preserve, but as a living spiritual language. Leading a 21-piece ensemble, the Los Angeles composer and multi-instrumentalist reimagines pieces including “Naima,” “Giant Steps,” “My

With Everything to Remember, Blue Earth Sound creates a quietly immersive world shaped by ambient textures, gentle electronics, and organic instrumentation. The music unfolds patiently, favoring atmosphere and emotional resonance over conventional song structures, with small melodic details emerging and

With Future Sounds of Jazz Vol. 16, Compost Records continues its long-running exploration of the spaces where jazz meets electronic music, broken beat, house, and experimental production. Rather than defining a single “future” for jazz, the compilation brings together different

With Drum Seeds, Berlin-based drummer and producer Peter Gall takes a sharp turn from the expansive jazz of his award-winning Love Avatar. Originally conceived as a pure drum record, the project grew from hours of grooves, layered percussion, and rhythmic

With Wildflower Season, Clifford creates a warm and intimate collection that moves between contemporary jazz, soul, folk, and subtle electronic textures. Organic instrumentation and understated production give the music a soft, natural character, while delicate melodies unfold with an unhurried

With ‘Spirits’, KOMA create an atmospheric meeting point between contemporary jazz, electronic music, and deep, rhythm-driven experimentation. The album moves fluidly between hypnotic grooves and more spacious passages, allowing acoustic instrumentation and electronic textures to constantly reshape one another. There